Music hall & modernity : the late-Victorian discovery of popular culture
Record details
- ISBN: 0821441396
- ISBN: 9780821441398
-
Physical Description:
1 online resource (xii, 244 pages) : illustrations
remote - Publisher: Athens : Ohio University Press, ©2004.
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references (pages 229-236) and index. |
Formatted Contents Note: | Introduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra. |
Restrictions on Access Note: | Restrictions unspecified NLC staff and students only. |
Reproduction Note: | Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. |
System Details Note: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 |
Language Note: | English. |
Action Note: | digitized 2010 HathiTrust Digital Library committed to preserve |
Source of Description Note: | Print version record. |
Search for related items by subject
Genre: | Electronic books. Criticism, interpretation, etc. History. |
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049 | . | ‡aMAIN | |
100 | 1 | . | ‡aFaulk, Barry J. |
245 | 1 | 0. | ‡aMusic hall & modernity : ‡bthe late-Victorian discovery of popular culture / ‡cBarry J. Faulk. |
246 | 3 | . | ‡aMusic hall and modernity |
260 | . | ‡aAthens : ‡bOhio University Press, ‡c©2004. | |
300 | . | ‡a1 online resource (xii, 244 pages) : ‡billustrations | |
336 | . | ‡atext ‡btxt ‡2rdacontent | |
337 | . | ‡acomputer ‡bc ‡2rdamedia | |
338 | . | ‡aonline resource ‡bcr ‡2rdacarrier | |
504 | . | ‡aIncludes bibliographical references (pages 229-236) and index. | |
505 | 0 | . | ‡aIntroduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra. |
588 | 0 | . | ‡aPrint version record. |
506 | . | ‡3Use copy ‡fRestrictions unspecified ‡2star ‡5MiAaHDL | |
533 | . | ‡aElectronic reproduction. ‡b[Place of publication not identified] : ‡cHathiTrust Digital Library, ‡d2010. ‡5MiAaHDL | |
538 | . | ‡aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. ‡uhttp://purl.oclc.org/DLF/benchrepro0212 ‡5MiAaHDL | |
583 | 1 | . | ‡adigitized ‡c2010 ‡hHathiTrust Digital Library ‡lcommitted to preserve ‡2pda ‡5MiAaHDL |
520 | . | ‡aThe late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people." In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, | |
546 | . | ‡aEnglish. | |
506 | 1 | . | ‡aNLC staff and students only. ‡5BDCNL |
650 | 0. | ‡aEnglish literature ‡y19th century ‡xHistory and criticism. | |
650 | 0. | ‡aMusic-halls (Variety-theaters, cabarets, etc.) in literature. | |
650 | 0. | ‡aMusic-halls (Variety-theaters, cabarets, etc.) ‡zEngland ‡zLondon ‡xHistory ‡y19th century. | |
650 | 0. | ‡aEnglish literature ‡zEngland ‡zLondon ‡xHistory and criticism. | |
650 | 0. | ‡aPerforming arts ‡zEngland ‡zLondon ‡xHistory ‡y19th century. | |
650 | 0. | ‡aPopular culture ‡zEngland ‡zLondon ‡xHistory ‡y19th century. | |
650 | 0. | ‡aPerforming arts in literature. | |
650 | 0. | ‡aPopular culture in literature. | |
651 | 0. | ‡aLondon (England) ‡xIntellectual life ‡y19th century. | |
651 | 0. | ‡aLondon (England) ‡xIn literature. | |
648 | 7. | ‡a1800-1899 ‡2fast | |
655 | 4. | ‡aElectronic books. | |
655 | 7. | ‡aCriticism, interpretation, etc. ‡2fast ‡0(OCoLC)fst01411635 | |
655 | 7. | ‡aHistory. ‡2fast ‡0(OCoLC)fst01411628 | |
776 | 0 | 8. | ‡iPrint version: ‡aFaulk, Barry J. ‡tMusic hall & modernity. ‡dAthens : Ohio University Press, ©2004 ‡w(DLC) 2004008199 |
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