Music hall & modernity : the late-Victorian discovery of popular culture

Summary: The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of "the people." In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm,

Record details

ISBN: 0821441396
ISBN: 9780821441398
Physical Description: 1 online resource (xii, 244 pages) : illustrations
remote
Publisher: Athens : Ohio University Press, ©2004.

Content descriptions

Bibliography, etc. Note:	Includes bibliographical references (pages 229-236) and index.
Formatted Contents Note:	Introduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra.
Restrictions on Access Note:	Restrictions unspecified NLC staff and students only.
Reproduction Note:	Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
System Details Note:	Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
Language Note:	English.
Action Note:	digitized 2010 HathiTrust Digital Library committed to preserve
Source of Description Note:	Print version record.